
This magazine has got nothing to do with Graphic Design, but everything to do with 'design'. Try and pick up a copy - 'get to know' as they say.










An Italian photographer and art director, who trained at the Dada and Bauhaus influenced Zurich Design School (I believe you can particularly see the Dada influence in his work). He is notorious for his work with Benetton, with whom he abandoned any form of conventional advertising photography, and instead flouted taboos associated with race, war, sex, religion, death etc. The campaigns use juxtaposition as the main tool to create meaning by using socially unmentionable subjects to create awareness of different issues, and virtually all created some sort of public outcry.
The most infamous images included the dying David Kirby (of AIDS) and images of death-row prisoners, which due to the backlash from the victims families caused Benetton to lose a major contract, and Toscani to finish his tenure with the company.
At least his campaigns kept everyone talking about Benetton, and he dared show the unmentionables. What taboos are left...?











This sculpture sits beautifully on the otherwise untouched stretch of beach in Aldeburgh, Suffolk, and is a monument to Benjamin Britten, the great British composer. Apart from looking spectacular, the main reason I like it is due the aggressive hatred that this sculpture instilled in locals. It was vandalised, there were handfulls of petitions against it etc etc etc - controversial!! Now it is an accepted part of the scenery, but no doubt there are still bitter people with a foul word to utter about it.
The first part of a series of stop motion animated films by Jan Svankmajer, have a look on You tube for the rest of them, I recommend them.
















More artwork done for the same record label as below. The latest 5 releases have taken this format, with the latest ones (not shown) in red and blue. I really like the simplicity of the designs and their visual impact, with the colours on black, and the fact that with each of them, you know instantly which record label they 'come from' - a sort of identity.